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Sound and Vibrations Advanced English

Playing the fundamental

Playing the first overtones

Increase: Play more overtones

The idea of playing the sound stream

The frame of your Relax Gong Play

The Gong Relaxation – Relax Playing

SaVAdvanced final test part 4

Part 5 - Gong Bath – Gong Meditation

Introduction to Part 5

Gong Bath – Gong Meditation

Other treble and volume levels

Playing different areas of the gong

Playing down the gong again

Combination of different areas

Preparing your participants for the gong bath

Using your voice before and after playing the gong

SaVAdvanced final test part 5

Part 6 - Advanced Techniques

Introduction to Part 6

Introducing the hand gongs

This is how the hand gongs sound

Playing techniques for hand gongs

These are friction mallets

Playing the friction mallets

Gong playing with 2 mallets

Set the accent stroke

SaVAdvanced Final Test Part 6

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SaVAdvanced final test part 4

Sound and Vibrations Advanced English
The Gong Relaxation – Relax Playing
SaVAdvanced final test part 4

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Frage 1 of 3

1. Question

What are the overtones of the gong?

The tones that sound when the upper half of the gong is played
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These are the tones that are added to the low fundamental as higher tones during longer playing.
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These are the high tones that drown out the fundamental so that you can no longer hear the low tones.
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The tones that sound when the black rim is played.
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These are the tones that are at the pitch of the gong player’s overtone singing.
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Frage 2 of 3

2. Question

Why should you gently play down the gong until the end?

So that the participants are not “pulled out” and experience a perceived “crash landing”.
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So that I really play long enough and make the most of the time.
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So that the gong can resonate and not be damaged in the long run
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So that I as a player stay mentally with my participants and do not digress
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Frage 3 of 3

3. Question

According to which imaginary basic structure do we play the gong?

Tetrahedra
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Pyramid
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Hanging bridge
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Aeroplane
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